Segment 21: Troubled (1972)

written, edited, and produced by Viktor Devonne for 2 Night Stay
performed and recorded by Dick Jones



“You got any bugs here?” the small roundfaced boy chirped from the height of his mother’s elbow.

 The long-suffering father closed his eyes in mild frustration as he searched his wallet for the travelers’ checks, likely giving pause before he could criticize the topic conversation. Before his time would come, the woman behind the desk smiled and quietly replied directly to him, “No, young man, we don’t.”

The boy’s face fell, freckled and disbondent, as his mother attempted to explain to the concierge, “He’s recently gotten into… those.  You know how boys can be.  He’s eight.  He’s been just fascinated by the crickets at home.”  She searched for a sign of the girl’s name and caught her nametag just in time, “Thank you, Julie.”

Julie nodded, understanding, still looking at the young man instead of his desperate mother.  “My brother was the same way.  But, nope, little man, The Gilman’s never really had a whole lot of insects on the grounds while I’ve been here.  Just lucky I guess.”

The father snorted, “You hardly expect them to say so,” he blurted mostly to himself, scanning the walls for chips in the facade.  His wife gently dug a fingernail into his arm to quiet him and gave a pained expression of repentance to the woman.

Julie attempted again, “I’ve been here five years since I was eighteen, and I have to say it’s never been a problem.”  She looked at the boy again and added for his behalf, “Unfortunately.”

The boy perked up again with a new thought, and said more loudly, “What about rats?”

“Oh-kay!” said his mother, completely done with her son’s propensity for vermin; she forced a tight squint of a smile in the direction of Julie while pulling her son away from the desk and towards the general direction of his older sister to somehow occupy.  The tall mop-shaped girl recoiled in seventh grade disgust.

“You’re so weird, Ronnie,” the sister rolled her eyes, and pushed him further away from where.  He took the opportunity to examine the rest of the lobby, which was nearly empty except for an older kid in knit orange plaid pair of pants, on  all fours, who was poking at something under a chair.  Hoping it was perchance a rat, the younger boy closed in.

Julie by now had taken the checks from the father, who looked sternly ahead, past her, towards the row of room keys.  “You folks still just leave the keys out there on the wall like that?  Hardly secure.”

Julie glanced backwards and then returned to the father’s signature on the check, “It’s quite alright, Mister Fielding.  Our desk is never unmanned, and the keys are quite protected at all times.  I know it is terribly old fashioned of us, but we’ve never had an incident, and I guess the management still thinks it’s part of the old place’s charm.”  She smiled at Mr. Fielding somewhat less gently than she might to an eight year old inquiring about bugs.

Mr. Fielding snorted again with the weariness of a man who had yet to be surprised orsatisfied in so many of his late thirty years.  “Are we settled with this,” he gestured to the payment, “and may we head up to our room now?”

To anyone watching, which was to say no one, Julie’s smile was noticeably pricked by disdain, and she turned to the old fashioned wall of insecure keys.  “Yes,” she murmured, drawing her fingers towards a set before selecting ones to the very next.  “That was two rooms you said?  Adjoining?”

“I paid for two rooms,” the man’s voice was sour.

Julie turned again towards him, “Just confirming,” her voice a cheerful fuck off of a tune, “Would you like them next to each other or across, sir?”

“Across is fine,” the wife interjected, linking her arm with her husband, whose brow was furrowing into a crumbling mountainscape.  He turned his head to seeing his son and a stranger boy engrossed in some debate over the proper way to torture some small, as yet unseen, creature. 

Julie brought the first set to the desk’s top, and then selected a pair above them.  “These are both on the fourth floor.  Room 401 and 404.”  The four keys, etched with the corresponding two rooms, were quickly snatched up by Mr. Fielding.

He handed one to wife, and the other in the vague direction of the older sister, busy snapping gum and fidgeting with her almond shaped press-on nails in one hand, and holding the strap of a leash to a dust colored miniature schnauzer, who was trying tug itself free to examine or defile the ochre upholstered settee to the left.  She took the key, staring at the rubber strip emblazoned with the hotel’s name and a lions head.

“Oh,” Julie uttered, realizing Mr. Fielding had failed to declare Fido, “Will you be adding the pet deposit or?”

Mrs. Fielding instead replied again, “Oh, we understood you have a facility for them during the night?”

Julie nodded, pleased to engage with her second preferred member of the family, “Yes, it’s $10 per night.  But we can also have them held with us during the day if you go out or prefer them to not be in the room.”

“We’ll have him brought down after supper if that’s alright,” Mrs. Fielding said, now standing alone at the desk as her husband chased after their bug-obsessed son who had found the fireplace pokers a fair sword substitution, likely due to the older boy’s suggestion. “Are meals included?”

“As long as he doesn’t have any dietary restrictions,” Julie found the appropriate piece of paper for them to sign and handed it to her.

“Carol, can we please—“ Mr. Fielding called out, eight year old son in grasp and off the floor, and towards the stairwell.  He didn’t give a long glance to the shaggy haired youth who he whisked his son from.

“May I…?” Carol began and lifted a hand in quiet hopelessness towards her family, and Julie nodded again.

“You can bring that paper back with him, along with his certificate, when you want him lodged,” Julie assured, “But I will also need to add 25% to the room… in case of accidents while he’s with you.”

Carol sighed, attempting to juggle several numbers in her head as her husband grabbed a suitcase in one palm, his son roughly sideways under the other arm.  “We’ll handle that later, can’t we?”  He was already walking away towards the elevator as he asked.

“Surely,” Julie said to Carol, pushing her shoulderlength ash brown hair behind her ears and adjusting her matching Riveria eyeglasses on her nose, “Gerald will help you with your bags.”

“What percent do we owe for that,” griped the husband just loudly enough, huffing while finding the button marked 4.

“We’ll be fine,” said Carol, almost convinced.  “Thank you, Julie.” She took her own large bag, and her son’s suitcase in her hands, crinkling the pet papers in her hand as she maneuvered towards the elevator.  The daughter came out of her trance and rolled an eye for having to carry her own bag as the elevator dinged open.

The shaggy haired kid in the plaid pants stared silently as the family gathered their things and lumbered away.  The young boy waved at him.  The father turned to glare at him, but when he turned, did not see him anymore.  Satisfied, he pushed his child into the elevator.

Julie continued speaking to the family, whether or not they were listening, “I am here at the desk until seven, and then if you need anything, Mr. Farrell will be able to assist you.”  She motioned to the clock on the wall, which was coming on quarter past 3.  As she gestured, she caught a quick glimpse of the older boy discretely enter the dining room on the left of the stairs.

The wife nodded, distractedly, and the family shuffled onto the lift, the walls bouncing back their series of complaints while the doors closed.

“Mr. and Mrs. Robert Fielding,” Julie read from the register before closing it and giving a jaded grimace at a wife’s identity permanently tied as always to the husband.  Part of Julie was surprised Robert hadn’t called out for “Mrs. Fielding,” when he wanted her. 

“Hey, Jules,” came a voice nearby.  Gerald, not bothered in the slightest to be rebuffed by the Fieldings, “That kid made a point.  Why doesn’t this lace have bugs?  I’ve been here two years and never even seen a spider.”

Julie bent slightly at the desk, and found a folder for the day’s receipt; “She doesn’t like bugs or spiders,” she said somewhat distantly.

“What? Who?” asked Gerald, who was now resting his arms and chest against the desk. At six foot 3, he was used to towering over others.

Julie looked back up to him, and wordlessly gave a slight cluck of her tongue, and gentle batting eyes that said plenty in shorthand.

“Oh.” Gerald backed off for a moment, sheepishly and thought a second, “Well, then why do we have rats?”

“She likes rats, Gerry,” Julie said plainly, closing the register book and returning it to the precise spot she liked it, and confirmed all the pens were back in the appropriate container.

“Oh,” Gerald replied, as if it explained everything, and to generations before him, it had.

“Oh,” Julie looked back up and at the dining room door, which was still swaying ajar, “You’d better check on him and make sure he’s not into anything he shouldn’t be.”

Gerald resigned himself to this regular task, “He’s always into something he shouldn’t be,” he grimaced and started his way over.

Julie yawned, and found her Thompson novel on the floor beneath the desk.  She picked it up and leaned back in her chair, muttering “Dead people are creatures of habit.”


Segment 12: Historical Record part 3 (2015)

written, edited, and produced by Viktor Devonne for 2 Night Stay
performed by Dick Move, Iris Explosion, Seedy Edie, Johnny Caligula, Viktor Devonne, Sarah Tops, and Noctua, with Jack Barrow
engineered and recorded by Dick Move



gilman-logo-new-transparentNARRATOREthan and Joshua Abrams have continued success with the Gilman Hotel in the 40s, enjoying a boost from the war, and the town’s advancements in industry.

LESLIE DAVENPORT, investigative reporter: The Gilman Legacy Foundation has continued to make money, CEO after CEO, and they’re really splitting their time between philanthropic, good for press type work, and also this hotel which, while cute and all, why do they care so much?

LAURA GRIFFITH-KELLY, Gilman Legacy Foundation president: The Gilman Hotel remains one of the foundation’s main priorities because it was a priority of our original figurehead, Lionel Gilman.  It is not a pet project, it is a continuation of one of his great visions: a place to call home when you are away from home.  The Gilman Legacy Foundation, and I, understand this principle.

CHARLY VILLAQUEZ, magazine editor: It does seem a little odd and I think they welcomed the chance to have the Abrams just handle things for a while.  They are well-to-do bachelors, with Joshua known for his work in the shipping industry, and Ethan who has a very successful home renovation and decorating empire.  These are smart, shrewd, capable men and history has chosen to sort of rewrite their contributions to these eccentric millionaires who bought a hotel for a lark and ditched it as soon as disaster struck.

NARRATOROne of the first things that they lost was a friend.  One of the longterm guests of the hotel, Natalie May Dashett helped create a series of radio jingles that welcomed sailors, families, and newlyweds to the location.

They really were enterprising in their marketing; they wanted it to be a destination hotel.  And they succeeded.

Dashett would eventually abandon them, leaving an alleged tab, and a hole in their trust.

DAVID HANDLER, authorShe was a Hollywood actress who got in trouble with the studio.  I wouldn’t exactly call her famous.  When she saw her chance to leave, she took it. 

viktor sketches 2 color
Natalie May Dashett sketch by Fishy Business

NARRATOR: While the Gilman Legacy Foundation counts Natalie May Dashett as one of their hall of fame guests due to her success in radio and a burgeoning film career, her absence also left questions.

FELIX SCOTT, contributing reporter: She disappears.  No trace.  Another one gone.  And No one cares.  No one questions it.  No one investigates the hotel.

GRIFFITH-KELLY: Miss Dashett was a prized guest at the hotel.  I have heard the stories about her, but as far as the foundation is concerned, she was a friend of the Gilman, and she left due to personal family reasons.  The film industry wasn’t for her, the business wasn’t for her.  We certainly aren’t going to fault her for that, and I consider her debt to the hotel, if any, paid in full due to her work with us.

DAVENPORT: Natalie leaving upset the brothers.  In Ethan’s diary, he called it a massive betrayal. 

NARRATOR: Ethan Abrams’ diary, which was published in the 80s, is set to be republished next year with more information about his time as owner of the Gilman.  Much of the original text was excised from the first printing, and assumed meddling of the Gilman Legacy Foundation.

GRIFFITH-KELLY: I don’t know anything about that.

NARRATOR: The diary gives one of the few glimpses of a horrific evening in 1954.  While neither Abrams brother was on location, Ethan discusses the aftermath and trauma of on December 6th.  It was the date of mayor-elect Lucas Byron’s inauguration celebration.

News from home shook me to my core.  I leave for the hotel tomorrow morning.  The entire second floor ballroom has been nearly snapped in half, with patrons of Byron’s party falling to the lobby floor.  I have been informed that nearly all of them are dead.  Joshua is chartering a plane from Switzerland, but I will likely be there before him.  I cannot imagine setting foot on such a sight.  William likely crushed.  Devastated. 

NARRATOR: The William that Abrams wrote of, identified in other passages of the diary as his lover, was in fact killed in the disaster.  One of the rotating head waiters of the hotel’s restaurant staff hired, William Fenton  was working the party when a tremor brought the second floor to a screeching halt.

HANDLER: The structure beneath the ballroom floor gave way.  It happened in such a way where reports indicate it was an earthquake or some sort of gasline explosion, but it was centralized to that single room.  No other floor was affected; in fact no other part of the second floor was affected.   It is weird.  I’ll give you that. 

NARRATOR: In later examinations, and studies done by structural engineers and analysts, the exact way the ballroom cracked and shattered is physically impossible, and despite all efforts to explain, the Abrams were left with an insurance nightmare.  The Gilman Legacy Foundation representatives stepped in and handled many lawsuits quietly, and when someone attempted to goad the press into sensationalism, their complaints would go quiet almost as quickly.

From the diary of Ethan Abrams:

The building stands.  I expected that I would come to rubble.  One is able to quite comfortably get around, despite the wreckage.  The ballroom has been fractured, creating small islands, preserved by the beams of the hotel.  Guests in the middle of their waltz given an unholy end to their evening. 

NARRATOR: The number given to the press and public is that of 214 souls lost.  This comprised nearly two dozen service people who were staffed for the event and were in the ballroom at the time, or in the lobby and affected by the debris and victims falling from the ballroom above.  Other guests and service people who were just outside of the room on the same floor, or in the kitchen quarters, were unaffected, and in fact only heard the commotion and panic of the guests who survived, not the incident itself that caused the disaster.

DAVENPORT: It’s a panic.  The bellhops are seeing the sky fall down.  People are bloody, scrambling down the stairs screaming, running out on the streets, expecting to the see the end of the world, but everyone else is fine.  They assume it must either be a gas explosion or it’s an earthquake, or something that everyone else is experiencing.  But no one else is.  Just the Persephone Ballroom.

NARRATOR: The disaster gives signs of both and implosion and an explosion,   with the floor ripped in twisted gashes, like vines. 

VILLAQUEZ: One major figure however isn’t in the ballroom, but he is included in the tally of 214.  The mayor-elect, himself, Lucas Byron was found dead in his bedroom with a woman not his wife.  They’re in bed, and they look like they’ve been in an earthquake.

SCOTT: The rest of the hotel is unaffected.  The walls are fine.  Not a single guest knew anything happened until they heard the screams from the ballroom.  No one on that floor even heard it happen.   How did someone on the sixth floor, in fact two someones, have injuries from the tremor when no one else did.  And if they were in the ballroom when it happened, how did they get to the sixth floor penthouse, take off all their clothes, and still get in the mood to (bleep) until they succumbed to their injuries?

NARRATOR: The mayor’s wife, Verna, survived the accident by nature of her being on the second floor terrace with other guests of the hotel.

VILLAQUEZ: Story goes that Verna Byron didn’t even run back in when the guests were screaming.  Everyone who was with her did, but she stayed on the terrace.   The police happened upon her; she has just stayed sitting on a bench while all hell was breaking loose and the other guests were coming out of their rooms to find out what happened.

NARRATOR: Dr. Rebecca Mortinelli–

DR. REBECCA MORTINELLI, PSYCHOANALYSTShock can come in many forms.  What was probably happening in Verna Byron, although I have not studied any doctor’s records on her, may have been a temporary paralysis that prevented her from getting up.  Knowing her husband, her friends, she could not face it.

NARRATOR: The Abrams would leave the Gilman the following year, with the suggestion it heavily affected their relationship.  Ethan would go to Chicago and Joshua would relocate to Europe, constantly on the move.  Within the decade, the legal aspects of the accident would be all but a memory and the hotel acknowledged those lost with a solemn memorial when the ballroom was refinished.

VILLAQUEZ: The inspection on that ballroom floor probably took at least five different independent companies. 

NARRATOR: More hits would continue.  The press coverage was overwhelming but the guest registry was bleak.  Longterm guests would move out, saying they could hear the accident in their sleep, despite not having heard it when it happened.

During one of its frequent dry spells, in 1975, three young broke into the construction site of the Lucretia Coridor, located on the 5th floor and temporarily blocked off.

DAVENPORT: One of the tenants of the Gilman Legacy Foundation is that the hotel is kept in consistent working order.  The Lucretia Corridor was shut down for almost four months in the winter of 1974 into 1975.  The guest list was still pretty low so it was low priority.  The lights were going out all over the floor, issues with the pipes, and there was no active property manager.  So it was days before a maid discovered them.

NARRATOR: Three unrelated young men between the ages of 19 and 23, were found with gas tanks and matches, with the consensus made by the police department that they were there to burn down a portion, or all of the Gilman hotel for unknown reasons.  Despite one major scorch mark on one wall, the rest of the hall was untouched, and the floor, despite being coated in gasoline did not ignite.

SCOTT: These kids weren’t known by the hotel staff as guests, and they somehow get in with gas tanks, all the way to the fifth floor, unnoticed, or let in by an employee.  But instead of torching the place, they decide to burn it only  a little bit and then hang themselves altogether in a dark hallway  with rope they apparently decided to also bring.  for kicks.  because why?

NARRATOR: The police ruled it a joint suicide, with the intent that they would hang themselves as the fire caught on, but it failed to.  One of the young men, Anthony Martinez, was the son of Carolyn Maitland-Scheer, grandniece of the ill-fated Calvin Maitland, who dubiously owned the hotel in the 20s.  She maintains she has no idea why her son was at the hotel that evening, and declined to participate in this program, except with the following written statement:

The Gilman Hotel remains a subject of pain for my family.  I have no interest in continuing to revisit old wounds, but know this: my son Anthony had never been told about the hotel, never been brought to the hotel, or lived fewer than 20 miles from the hotel, ever.  I continue to relive the pain of the last decision he ever made.   While he was drawn to that location with his friends, he had no malice in his heart.

viktor sketches 5 colorNARRATOR: Mrs. Maitland-Scheer declined to sue the Gilman Legacy Foundation for the accident, despite rumors she met with attorneys.

In the midst of a Hollywood love affair of haunted house books and poltergeist blockblusters, the Gilman received notoriety for its alleged connection to the supernatural, and what was widely referred to as the ghost of Denise Schonheit.

The hotel received a bump in interest when serial killer Edgar Corbin turned himself into authorities in 1982, having stayed at the Gilman off and on for two years, and chose his victims in the area while he stayed there.

DAVENPORT: So Corbin says he used the hotel as a cover, somewhere to stay when he was looking up people to kill.  The Gilman legacy foundation tries to cover up that he was staying there, but he came to the police station; he said what he did, how he did it, where to find them, and what room he was in so the cops can find his stuff. 

NARRATOR: Via Corbin’s official police statement,

WhenI was sitting in my room, I would shake and cry.  I wanted to stop.  I knew I had to stop.  But I kept going out and finding them.  I was afraid to stop.  But I heard her.  I heard her voice and she would say to me, “Don’t hurt them anymore.”  And I saw her.  I saw the true face of innocence.  I cried.  I knew I could never hurt anyone else ever again.  Because she would know.

NARRATOR: Corbin, who confessed to the murder of 7 people, was not even on the suspect list of authorities, and led them to his stash of trophies taken from his victims, which was left at the Gilman.  The Gilman Legacy Foundation lodged a formal complaint against the TV network BloodstainD for its heavily fictionalized TV movie featuring a serial killer fitting Corbin’s description being a ghost in the hotel he used to scout victims.  Corbin in fact did not die at the Gilman; he died in prison in 2004, and while Corbin was forthcoming to the details of his murders, it is unclear if he ever killed anyone at the hotel itself.

viktor sketches 1 color
Requiem sketch by Fishy Business

Also in 1982, and presumably unbeknownst to Corbin, proto-darkwave and synth-metal band The Last Boys holed up in the hotel for weeks at a time, writing and recording the demos of what would become their first album. 

After achieving considerable success at home and abroad, the Last Boys would become most known for its connection to the Gilman, when lead singer Requiem was found dead of a purported overdose, several years after their initial booking.

VILLAQUEZ: Requiem became known for their shock rock antics.  They played into the “Hail Satan” trends of the 80s, courting opinion that they sold their soul, that they were a vampire–

DAVENPORT: In 1986, the hotel stops accepting new guests except for the longterm residents—basically people using the hotel as an apartment building, which it got into the habit of doing because it wasn’t making a lot of money except in longterm guests, or 1 night… or 1 hour guests…

GRIFFITH-KELLY: The Gilman Hotel was never closed to guests in the 1980s.  This is a story that persists despite the foundation’s insistence. 

SCOTT: They were shut down for health code violations.  It’s a verifiable fact.

GRIFFITH-KELLY: I’m sorry; I don’t know anything about that.

VILLAQUEZ: February 15th, 1986.  Requiem is staying there.  They quit the band, they quit the tour.   One night they get ahold of some bad smack and the next day, the headlines say “Rockstar Dead.” 

GRIFFITH-KELLY: I would also like to make sure we mention that in 1982, the Gilman Legacy Foundation helped sponsor the productions at the Diamond Pond Community Playhouse.

NARRATOR: Coming up,

DAVENPORT: They saw an opportunity–

GRIFFITH-KELLY: We aren’t looking to erase history–

HESPERWOLF, spiritualist: I knew when the phone rang who he was.  I knew why he was calling. 

NARRATOR: … when we return to Historical Record: Secrets and Skeletons.

Segment 1: Tour Video (1977)

written and produced by Viktor Devonne for 2 Night Stay
recorded and performed by Anja Keister


viktor sketches 3 color
Lionel Gilman sketch by Fishy Business

Hello, I’m Colleen.  Thank you for joining me today as we take a look at the historic Gilman Hotel.

For generations, our families have stayed at The Gilman, the home-away-from-home that has been standing for 75 years!

It was the final vision of our town’s industrial leader, Lionel Gilman.  Born in 1819 to a devoted mother and father only a few miles from where the hotel now stands, Lionel Gilman made a name for himself with multiple acts of business savvy, and early social awareness.

Indeed, Mr. Gilman was touted by colleagues as a symbol of strong leadership, a giving heart, and an eye for the future.  While Mr. Gilman only lived two years after his amazing hotel was open for business, it was through strategic business plans laid out before he died, that ensured his building would stand proud for three quarters of century.

Basing his plans on an abandoned project, Lionel Gilman revitalized business on what is now known as Gilman Street, across from Gilman Park and within walking distance from multiple businesses that Mr. Gilman provided for.  Initially only two floors with a modest café and secondhand shop, the Gilman Hotel became seven floors of spacious, affordable luxury, a renowned ballroom function hall, and a fashionable boutique.

Over the years, the Gilman Hotel has seen thousands upon thousands of transients on the go, including servicemen, celebrities, and public figures.  But don’t you worry, it is still just as convenient and cozy to the everyman who is traveling 2 nights for business, or is in town with his wife and children all week.

The story starts here.  Lionel Gilman, through perseverance in the down-on-your-luck 1900s, created a new century of opportunity.  Refusing to compromise on supplies and equipment, Mr. Gilman personally oversaw reconstruction of this small family business and launched it into a friendly, respectable dream of a stay.

Mr. Gilman left his business to his brother, Tobias Gilman, respected philanthropist and father of industry.  Known for his work in shipyard conglomerates, Tobias saw to fulfill his brother’s dying wish, and complete the hotel as we know it today.

Here we see the lavish Persephone Ballroom, which was renovated fully in the 1950s. This comfortable, stylish room has been host to many fabulous parties, events, and functions.  While a 1954 earthquake did its best to shut down the party, the Gilman spirit could not be denied.  It was built stronger than ever. 

Notice those antique diamond chandeliers?  They are complete reproduction of the original chandeliers enjoyed by countless guests in 1904 through the 1950s, and were lovingly re-created to keep the timeless elegance the Gilman began with.  We see no reason to attempt to improve on perfection.  But don’t you worry; we are always on top of today’s electrical needs, and fire safety concerns.  An entirely new system was installed for our guests only last year.

And talk about service!  Our staff is equipped to provide you with all the comforts of home at an elevated level.  Our towels can’t be beat!  Our restaurant serves up the best stuffed crab this side of the country!  Our beds are more comfortable than you could ever demand of your everyday homelife.

After Tobias passed on, a trust was recognized by the state to provide ownership and security to the Gilman Legacy Foundation.  Truly this was the best way for the hotel to be preserved despite any changes that might occur economically, politically, or legally.  The Gilman Legacy Foundation’s mission to keep the hotel safe and comfortable, inviting all guests and longterm residents to enjoy their time here for as long as they wish.

Additionally, the Gilman Legacy Foundation is at the forefront of local charitable work.  Indeed, the Sixteenth Street Orphanage, also unofficially known as the Gilman Home for Children is provided to by the GLF, as is the Amity School for Girls, and Diamond Pond Community Playhouse which is preparing their fall season with an exciting new production of Merchant of Venice.  See you in the front row!

You’re now seeing a series of images from some of our everyday activities.  There’s our bellman with your bags; he’ll get them safely on their way.  Oh our concierge of our hotel boutique is the one to find for last minute flowers or gifts, and simply your home essentials.  Hey there, Julie!  Someone forgot a toothbrush!

And new this year, we’re opening an on-sight kennel for your traveling furry friends to enjoy their own set of amenities.  Look out, Rover could get used to this!

Enjoy a relaxing afternoon walk in our magnificent and intimate courtyard which features our well maintained rock garden and fish pond.  That fountain featuring that mischievous little water sprite has been with us these 75 years!

You too can enjoy the Gilman in all kinds of ways.  Contact us today through [garbled] and make your reservations.  Presidential penthouse apartment, honeymoon suite, and adorable rooms of affordable luxury are all available, pending availability.

We can’t wait to see you at the Gilman!  You’ll want to stay here forever!